born on 4/4/1959 in San Diego, CA, United States
Paula West is an American jazz and cabaret singer known for her rich, powerful contralto voice and for her sensitive interpretations of an extraordinarily eclectic selection of songs ranging far beyond jazz standards and cabaret chestnuts.
West was born on April 4, 1959 and raised in the San Diego, California area, the daughter of a Marine Corps family. As a child she wasn't exposed to very much jazz music, as her father preferred classical music. She only started to explore jazz and jazz vocal music during college; these explorations became more serious and focussed when she moved to San Francisco after graduating from college. She has also been at some pains in the past to note that "I never sang in church".
She arrived in San Francisco around 1988-89 and worked as a waitress (indeed, she held one job or another waiting tables for many years until her singing career was well established). During this time, she gradually started to appear at open mike jam sessions, during the course of which she met pianist Ken Muir, who would eventually become her long-time accompanist. She also undertook a program of serious vocal study while continuing to appear at local lounges.
As word spread through the Bay Area, West started to get one- and two-week residencies at San Francisco hotel lounges, most notably the Ritz-Carlton. During this period she started to refine the distinctive elements of her approach to the expectations placed upon jazz singer/cabaret performers: a careful attention to the lyrics of the songs ("I sing the verses," she was once quoted, "not just the chorus." ), an ability to sustain notes without use of vibrato, a sparing reliance on the hoary chestnuts of the genre, a willingness to re-imagine the standards that she does perform, and an eagerness to identify worthy songs not usually found within the jazz/cabaret repertoire.
As an illustration of the last point, she has performed or recorded such non-standard songs as Bob Dylan's "Subterranean Homesick Blues" and "Mr. Tambourine Man", "If I Only Had A Brain" from The Wizard of Oz, The Beatles' "Fixin' A Hole", Ella Mae Morse's "Cow Cow Boogie", "Who Will Buy" from Oliver!, Bert Williams' turn of the (20th) century classic "Nobody", and Johnny Cash's "Folsom Prison Blues", as well as "Danny Boy", to name but a few.
West performed predominately in clubs in San Francisco and New York, with occasional performances in Europe. For ten years she held a one-month residency at the Empire Plush Room at the York Hotel in San Francisco (since closed). She also had recurring engagements at the Oak Room of the Algonquin Hotel in New York. Paula is one of the contributors on BBC World News' The Real... talking about her favorite places in San Francisco.
2000 to present
For a number of years, West performed with Eric Reed and reviewers began to take note that her career was "spiraling in the right direction." " Stephen Holden, The New York Times, October 29, 2004
In 2007 West began performing with noted pianist/arranger George Mesterhazy (who accompanied the late Jazz great Shirley Horn), and their work together has been lauded in the New York Times, Ms. West is accompanied by the George Mesterhazy Quartet, a limber ensemble whose leader, pianist and arranger shares her passion for taking songs in unexpected directions and deepening their meanings without wrenching them out of shape. With each engagement Ms. West, who made her Oak Room debut in 1996, displays more courage, maturity, interpretive insight and vocal confidence. She and the quartet, which also includes Ed Cherry on guitar, Tony Reedus on drums and Barak Mori on bass, are a match made in pop-jazz heaven.  Stephen Holden, The New York Times, October 22, 2007
As that collaboration grew into a full fledged partnership she performed most often with Mesterhazy's quartet of Barak Mori on bass, Jerome Jennings on drums, and Ed Cherry on guitar, in residencies at the Empire Plush Room and the Rrazz Room in San Francisco. They then established themselves at Yoshis in San Franciscos revitalized Fillmore Jazz District, and in New York at The Jazz Standard where West, Mesterhazy and his Quartet recorded her first album in 11 years "Live at The Jazz Standard". The CD is now available on iTunes and Amazon.
In February 2013, West returns to New York to appear with Wynton Marsalis and the Jazz at Lincoln Center Orchestra to perform in the work for which Marsalis won a Pulitzer Prize, "Blood on the Fields".
Temptation (1997; self-released)
- Temptation (Arthur Freed/Nacio Herb Brown) - 6:01
- There's No You (Hal Hopper/Tom Adair) - 5:15
- You Came A Long Way From St. Louis (John Benson Brooks/Bob Russell) - 3:32
- You'll See (Carroll Coates) - 6:08
- Mountain Greenery (Richard Rodgers/Lorenz Hart) - 4:32
- Don't Explain (Arthur Herzog/Billie Holiday) - 5:30
- Nice and Easy (Lew Spence/Marylin and Alan Bergman) - 3:45
- If I Only Had A Brain (Harold Arlen/E.Y. Harburg) - 5:46
- Always True To You In My Fashion (Cole Porter) - 4:16
- You're My Thrill (Sidney Clare/Jay Gorney) - 7:29
- Tired (Allan Robert/Doris Fisher) - 4:38
- Peel Me A Grape (David Frishberg) - 3:43
- Skylark (Hoagy Carmichael/Johnny Mercer) - 5:54
- Comes Love (Lew Brown/Sam H. Stept/Charlie Tobias) - 3:15
- A Kiss To Build A Dream On (Bert Kalmar/Harry Ruby/Oscar Hammerstein) - 5:26
- Paula West - vocals
- Ken Muir - piano
- Bill Douglass - bass
- Robert Kaufman - drums
- Brad Buethe - guitar
- Dave Tidball - saxophone/clarinet
- Allen Smith - trumpet
- on "There's You", "You Came A Long Way From St. Louis", "You'll See", "Mountain Greenery", "Nice and Easy", "Tired", substitute Al Obidinski on bass and Tom Duckworth on drums.
Restless (1999; Noir Records, Self-released)
- Who Will Buy? (Lionel Bart) - 3:33
- Restless (Sam Coslow/Tom Satterfield) - 5:41
- Don't Fence Me In (Cole Porter/Robert Fletcher) - 3:45
- Waters Of March (Antonio Carlos Jobim) - 4:36
- I'm A Fool To Want You (Frank Sinatra/Jack Wolf/Joel Herron) - 6:43
- Fly Me To The Moon (Bart Howard) - 5:05
- Some Cats Know (Jerry Leiber/Mike Stoller) - 7:19
- Fixin' A Hole (John Lennon/Paul McCartney) - 3:49
- Bread And Gravy (Hoagy Carmichael) - 4:25
- Lover (Richard Rodgers/Lorenz Hart) - 4:34
- They Say It's Wonderful (Irving Berlin) - 5:23
- Witchcraft (Cy Coleman/Carolyn Leigh) - 3:47
- Why Can't You Behave? (Cole Porter) - 5:48
- Cow Cow Boogie (Don Raye/Gene de Paul/Benny Carter) - 3:00
- Moments Like This (Frank Loesser/Burton Lane) - 5:41
- Paula West - vocals
- Ken Muir - piano (all except 4, 11)
- Brad Buethe - guitar (3, 4, 8, 10, 11)
- Al Obidinski - bass (1, 2, 5, 6, 7, 9, 13); vocals (14)
- Bill Douglass - bass (3, 4, 8, 10, 12)
- Tom Duckworth - drums (all except 11)
- Javier Navarrette - conga (1, 4, 7, 8)
- Dave Tidball - saxophone (4, 6, 7, 8)
- Noel Jewkes - saxophone (8, 10, 12)
- Allen Smith - trumpet (1, 2, 5, 8)
- Jeremy Cohen - violin (3, 8, 11)
Come What May (2001; Hi Horse Records, Self released)
- Caravan/Night In Tunisia (Duke Ellington/Irving Mills/Juan Tizol/Dizzy Gillespie/Frank Paparelli/Jon Hendricks) - 5:27
- The Snake (Oscar Brown, Jr.) - 3:27
- Big Stuff (Leonard Bernstein) - 3:39
- Day In, Day Out (Rube Bloom/Johnny Mercer) - 5:25
- Laura (David Raskin/Johnny Mercer) - 6:10
- Blues In The Night (Harold Arlen/Johnny Mercer) - 8:19
- You Fascinate Me So (Cy Coleman/Carolyn Leigh) - 4:28
- Lush Life (Billy Strayhorn) - 5:27
- Them There Eyes (Maceo Pinkard/Doris Tauber/William Tracey) - 3:35
- You Will Be Loved (Murray Grand) - 5:35
- Looking For A Boy (George Gershwin/Ira Gershwin) - 5:01
- Here Lies Love (Ralph Rainger/Leo Robin) - 5:21
- Bye Bye Blackbird (Ray Henderson/Mort Dixon) - 4:23
- I Remember You (Victor Schertzinger/Johnny Mercer) - 6:45
- Paula West - vocals
- Ken Muir - piano
- Bill Charlap - piano
- Peter Bernstein - guitar
- Peter Washington - bass
- Victor Lewis - drums
- Bobby Hutcherson - vibes
- Rudy Bird - percussion
- Frank Wess - alto & tenor sax, flute
- Joe Temperley - baritone sax, bass clarinet
- Ken Peplowski - clarinet
- Don Byron - clarinet
- Ryan Kisor - trumpet
- John Blake - violin
- Carlos Baptiste - violin
- Richard Spencer - viola
- Akua Dixon - cello
- Price, Gene (2005-02-24). Vivacious Paula West Captures Jazz Scene. San Francisco Bay Times. Retrieved on 2010-02-07.
- Paula West. All About Jazz. Retrieved on 2010-02-07.
- 3.0 3.1 "Margo Jefferson on Paula West", liner notes to Paula West, Come What May (2001).
- Seida, Linda. [Paula West at All Music Guide Paula West]. allmusic. Retrieved on 2010-02-07.
- "Reflections with Philip Elwood and Sheila Jordan", liner notes to Paula West, Temptation (1997).
- Bbc World News Presents
- Holden, Stephen, A Touch of Jazzy Mischief Updates Dylan With a Rap Inflection, The New York Times, October 29, 2004. URL accessed on May 22, 2010.
- Holden, Stephen, A Cheeky Cabaret Voice Sings the Set Eclectic, The New York Times, October 22, 2007. URL accessed on May 22, 2010.
- 'History Moves in Cycles, You Hear It in Her Sounds' NYT Review October 15, 2008
- 'A Cheeky Cabaret Voice Sings the Set Eclectic' NYT Review, October 22, 2007
- review of "Come What May" album and brief interview in San Jose Mercury News
- Google Music: Paula West
- [Paula West at All Music Guide Paula West] at Allmusic
This article uses material from the article Paula West from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.