Paul D. Miller

born on 6/9/1970

Alias DJ Spooky

DJ Spooky

From Wikipedia, the free encyclopedia.
DJ Spooky

Paul D. Miller (born 1970), known by his stage name DJ Spooky, That Subliminal Kid, is a Washington DC-born electronic and experimental hip hop musician whose work is often called by critics or his fans as "illbient" or "trip hop". He is a turntablist, a producer, a philosopher, and an author. He borrowed his stage name from the character The Subliminal Kid in the novel Nova Express by William S. Burroughs. He is a Professor of Music Mediated Art at the European Graduate School[1] and is the Executive Editor of Origin Magazine .

Early life

Miller grew up in Washington, DC, and attended Woodrow Wilson High School and Sidwell Friends High School. His father, Paul E. Miller, was Dean of Howard University Law School, and his mother, Rosemary E. Reed Miller, owned Toast and Strawberries, a legendary boutique in Washington, DC.[2]


Spooky began writing science fiction and formed a collective called Soundlab with several other artists.

In the mid-1990s, Spooky began recording a series of singles and EPs. His debut LP, Songs of a Dead Dreamer, is now widely regarded as a formative influence on illbient. Spooky contributed to the AIDS benefit albums Offbeat: A Red Hot Soundtrip (1996) and Onda Sonora: Red Hot + Lisbon (1998) produced by the Red Hot Organization. Riddim Warfare (see 1998 in music) was an underground hit that include collaborations with Kool Keith and other cult figures in indie rock like Sonic Youth's Thurston Moore who also appears on DJ Spooky's 2009 album release "The Secret Song."

He then worked with several other artists on various collaborations and mix CDs, returning in 2002 with Modern Mantra. That same year saw the release of Optometry, a widely acclaimed collaboration with avant-jazz players Matthew Shipp, William Parker, Guillermo E. Brown and Joe McPhee. (This album also features portions of a breaks record by Billy Martin of Medeski Martin & Wood.) In a classical vein, he has collaborated with the ST-X Ensemble in performances of the music of Iannis Xenakis. His film compositions have been performed by Kronos Quartet for the soundtrack to his remix of DW. Griffith's 1915 film Birth of a Nation. Kronos Quartet also performed DJ Spooky's remix of Steve Reich's composition "City Life."

DJ Spooky has collaborated with Ryuichi Sakamoto on several projects including The Discord Symphony which toured Japan extensively in 1997. The concert and album were released as an enhanced CD containing both a full audio program and multimedia computer files. It features spoken-word performances by Laurie Anderson, David Byrne, Patti Smith, David Sylvian, DJ Spooky, David Torn, and Bernardo Bertolucci. Miller also participated on Ryuichi Sakamoto's anti war project "Chain-Music" along with Towa Tei (formerly of Dee-Lite), Christian Fennesz, Carsten Nicolai, Pansonic, and Cornelius, in 2007. It is a concept project based on collage that makes an anti-war statement through music exchange.

Avant-garde music has been an influence on Miller, including artists such as Brian Eno, Kraftwerk, Can, Neu!, Tangerine Dream, Edgard Varèse, Olivier Messiaen, Iannis Xenakis, Terry Riley, Ornette Coleman, Karlheinz Stockhausen, John Cage, and the French composer Erik Satie for his piano works and his ideas for furniture music. He collaborated with Iannis Xenakis on the recording of Kraanerg, with the STX-Ensemble in 1997, and he has since worked with another major influence on his work Steve Reich.

The BBC Radiophonic Workshop has also been an influence on Miller, and he cites Delia Derbyshire as a major hero for women and people of color in electronic music. He's called Music from the BBC Radiophonic Workshop released on Aphex Twin's Rephlex Label, one of his favorite compilations.

2005 saw the release of "Drums of Death", DJ Spooky's CD based on sessions he recorded with Dave Lombardo of Slayer. Other guest artists include Chuck D. of Public Enemy and Vernon Reid of Living Colour. The record was co-produced by Jack Dangers of Meat Beat Manifesto.

In 2006, he produced two extensive compilations of classic Jamaican music from the archives of Trojan Records, the 40 year old Jamaican record label founded by Chris Blackwell and Lee Gopthal. The U.S. release, In Fine Style: DJ Spooky Presents 50,000 Volts of Trojan Records focused on "selections" from the archive, while the UK and worldwide release, Riddim Come Forward was a continuous mix. The compilation features a roster of Jamaica's most renowned artists and producers like Lee "Scratch" Perry, Bob Marley, Peter Tosh, U-Roy, King Tubby and Prince Jammy.

In 2008, his work Being Black (featuring Ursula Rucker) was included on the compilation album Crosstalk: American Speech Music (Bridge Records) produced by Mendi + Keith Obadike. He is just one of 9 artists who participated in thetruth.coms Remix Project, where he remixed the Sunny Side song Tough Love.

DJ Spooky joined the 9th[3] [4] and 11th[5] annual Independent Music Awards judging panel to assist independent musicians' careers. He was also a judge for the 3rd Independent Music Awards.[6]

DJ Spooky has said that much of his work "deals with the notion of the encoded gesture or the encrypted psychology of how music affects the whole framework of what the essence of 'humaness' [sic] is... To me at this point in the 21st century, the notion of the encoded sound is far more of a dynamic thing, especially when you have these kinds of infodispersion systems running, so I'm fascinated with the unconscious at this point."[7]

DJ Spooky's CD The Secret Song is slated for release October 6, 2009, on Thirsty Ear Records. It has guest appearances by Thurston Moore, The Coup, Mike G. of the Jungle Brothers, Rob Swift of the X-Ecutioners, Mike Ladd, Vijay Iyer, and many others. String arrangements for the album were done by film soundtrack composers Peter Stopschinski and Graham Reynolds with the Golden Hornet Project, and edited and sampled by DJ Spooky. The Secret Song is a manifesto about our overloaded digital culture.

Other work

DJ Spooky composed the score for the 1998 film Slam, featuring poet/actor Saul Williams in the lead role. The film went on to win both the Cannes Camera D'Or and the Sundance Festival Film Festival Grand Jury Prize. He also made an appearance in the 2008 feature documentary FLicKeR by Nik Sheehan about Brion Gysin and the Dreamachine.

His work as an artist has appeared in a wide variety of contexts such as the Whitney Biennial; the Venice Biennale; the Museum Ludwig in Cologne, Germany; Kunsthalle, Vienna; The Andy Warhol Museum; Paula Cooper Gallery; the Museum of Contemporary Art, Chicago, and many other museums and galleries. In 2007 his work appeared in the Africa Pavilion in the 52nd Venice Biennial. This remix of music from Africa was also distributed freely online, and promoted by the blog Boing Boing. "You give away a certain amount of your stuff, and then the cultural economy of cool kicks in," DJ Spooky said.[8]

In 2004, DJ Spooky released a book, Rhythm Science, published by MIT Press. The same year saw the launch of his film/music/multimedia performance piece "DJ Spooky's Rebirth of a Nation". A live audio/video re-mix of D. W. Griffith's The Birth of a Nation which includes footage from choreographer Bill T. Jones and a score newly composed by DJ Spooky, "Rebirth of a Nation" was commissioned by the Lincoln Center Festival, the Festival d'Automne a Paris, the Spoleto Festival USA, and the Vienna Festival.

In August 2009, DJ Spooky visited the Republic of Nauru in the Micronesian South Pacific to do research and gather material for a project in development, with a working title of The Nauru Elegies: A Portrait in Sound and Hypsographic Architecture.[9]

DJ Spooky's multimedia performance piece Terra Nova: Sinfonia Antarctica[10] was commissioned by BAM for the 2009 Next Wave Festival; the Hopkins Center for the Arts/Dartmouth College; UCSB Arts & Lectures; Melbourne International Arts Festival; and the Festival dei 2 Mondi in Spoleto, Italy.

DJ Spooky's Rebirth of a Nation was commissioned in 2004 by the Lincoln Center Festival;[11] Spoleto Festival USA; Wiener Festwochen; and the Festival d'Automne a Paris.

In 2010, Miller formed The Vanuatu Pacifica Foundation, a contemporary arts organization dedicated to exploring dialog between Oceania and the rest of the world.


Main article: DJ Spooky discography


  1. DJ Spooky / Paul D. Miller Faculty page at European Graduate School and is the Executive Editor of Origin magazine (Accessed: June 4, 2010)
  2. The Owner. Toast and Strawberries. Retrieved on 2012-02-08.
  3. MicControl
  4. Retrieved on 2012-02-08.
  5. "11th Annual IMA Judges. Independent Music Awards. Retrieved on 4 Sept. 2013.
  6. Independent Music Awards Past Judges. Retrieved on 2012-02-08.
  7. ªªHyperdub¬¬¬¬¬Softwar. (2004-07-03). Retrieved on 2012-02-08.
  8. Kirsner, Scott (2009). Fans, Friends & Followers: Building an Audience and a Creative Career in the Digital Age, Boston, MA: CinemaTech Books.
  9. The Nauru Elegies: A Portrait in Sound and Hypsographic Architecture. Retrieved on 2012-02-08.
  10. Terra Nova: Sinfonia Antarctica. (2010-05-11). Retrieved on 2012-02-08.
  11. Rebirth of a Nation. (2005-07-08). Retrieved on 2012-02-08.

External links

Wikimedia Commons has media related to: DJ Spooky

  • Official website
  • Sound Unbound site
  • Rhythm Science site
  • "SonarText" by DJ Spooky in 21C
  • DJ Spooky at the Internet Movie Database
  • The Vanuatu Pacifica Foundation


  • DJ Spooky on SYFY Channel: Imagine Greater
  • Azadi: Dj Spooky Shows Support For Iranians' Freedom Quest
  • 2008 interview with DJ Spooky at Some Assembly Required
  • "Blurring the Boundaries with DJ Spooky," Bowdoin Magazine profile
  • Bad at Sports podcast interview
  • DJ Spooky talks The Secret Song
  • 2001 interview with Roy Christopher
This page was last modified 19.03.2014 05:12:25

This article uses material from the article DJ Spooky from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.